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September 19, 2008


more from washington, dc
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Last week, I saw the most remarkable kitchen I have ever encountered. It looked as though a dancer or a sculptor designed it. On one side of a simple galley arrangement, the cabinets were held in the embrace of a thick, curved, black walnut butcher-block slab that was a study in movement. Rising from the floor, it flattened out at countertop height to become a work surface around the sink area, before curving up. Then, in a serpentine gesture, the slab turned back on itself, flattening out again to support the wall cabinets, before turning up again toward the 12-foot ... (more)

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